Each session is a new challenge as the level is built randomly on the fly. Collect as many bananas as possible to fill your energy bar. Use a power-dash to destroy obstacles or take alternative routes like the deep underground cave area or treetops.
Find secrets and unlock extras to get the most out of the game. Stay informed about special deals, the latest products, events and more from Microsoft Store. Available to United Kingdom residents. By clicking sign up, I agree that I would like information, tips and offers about Microsoft Store and other Microsoft products and services. Privacy Statement. Banana King Kong. Official Club. PEGI 3.
See system requirements. Available on PC. Description A thrilling ride through jungle, caves and treetops. So running the game at 60fps fixes most issues, making the game run smoothly! Monke 0 point. I got to the pillar after the Purple Terapusmordax, but no matter how much I mash the right button I cannot move the pillar, and thus can't advance the game.
Any help here? KKFan -1 point. This here is the gamer's edition, it's an xBox port which dont run better than the original edition the original edition has a drm so it dont work in windows 11 but theres a crack that disables the drm.
Nige 0 point. Won't install on Windows 10 Set up fails almost immediately. GoldenWolfe 2 points. Game is great but a fucking mess to get running on modern operating systems.
Heard console ports worked ok. Ristici -1 point. Jimbo 0 point. Socks and Muppets 1 point. There is a fix for the 60FPS bug that breaks the mouse camera control during gameplay. The Siguature Edition all Ok.
All Ok. Verdi 0 point. Download King Kong Official Game PC Full Version , untuk kali ini Mimin akan membagikan link download game ringan aksi petualangan FPS yang keren dan seru, game ini lahir dari sebuah Movie, game ini masuk dalam bagian game ringan, jadi kalian bisa nyaman memainkan game ini dalam spek rendah pc atau laptop kalian, disini disediakan link download single link untuk game ini, ada juga link google drive.
Dalam permainan, pemain menganggap peran New York penulis cerita Jack Driscoll dan gorila raksasa, Kong mereka berjuang untuk bertahan hidup ancaman dari pulau tengkorak pada tahun What's more, Jackson demanded a game that goes beyond a mere tie-in and he's hired the best in the business of development and emotional storytelling to create it.
I've played it and confirm that it's the best movie tie-in since GoldenEye on the N And yes, I am aware that's a pretty obvious comment to make when we've been standing in a turgid river of celluloid-to-console-to-PC shite for the past five years. But, honestly, what NightFire, Catwoman and The Incredibles are to a stream of un-moving excrement, King Kong is to skipping in a garden with excited, nubile young women.
If you've been absent from society since Kong's first foray in , or indeed lobotomised yourself after the Jeff Bndges retelling, then a spot of recap is perhaps in order. A collection of foolhardy souls stumble onto a place known as Skull Island; in Peter Jackson's vision, they're a Hollywood production company out to find places to film a delightful romantic comedy, and as such have scriptwriter Jack Driscoll Adrien Brody , surly director Carl Denham Jack Black and the movie's leading light Ann Darrow Naomi Watts.
Seeing as they've stumbled on a time zone where dinosaurs still rule the earth, unsurprisingly everything goes fete Tong. Without much ado they're captured by natives and Ann is offered up for sacrifice while drums are beaten and the figure of a giant ape appears in the misty mid-distance intent on snatching the starlet and carrying her into the back of beyond. From here until Kong's final encounter with New York street-life and, indeed, pavement , it's a dual story of Kong's relationship with Ann described by Jackson as the relationship between a seven-year-old boy and his favourite toy and that of Jack and Carl's efforts to both rescue her and refrain from being eaten by dinosaurs.
For gamers, this is where the action separates into two levels: that of controlling the mighty Kong himself -delivering multiple biffs to the face of many and varied T-Rexes - and that played from the FPS viewpoint of Jack Driscoll, simply trying to survive in the unsavoury climate of Skull Island.
It's a mixture of hiding, fending off dinosaurs and being gently pounded into awe-filled submission by some intensely clever and tension-moulding level design. A good example of this is perhaps the first level I played while under the watchful eye of Ancel's staff. Wandering through the mist, through gulleys and ravines. I hear a distant thundering and watch the ground reverberating beneath my feet. Minutes later I'm still working my way through narrow valleys and tunnels and watching soil and dust falling from the walls around me.
Suddenly, through the mists, the vast, vast shape of a Brontosaurus appears. Then another, then another. Then another behind that one. The music soars, and all of a sudden I'm in the game that Jurassic Park so desperately cried out for. It's fundamentally ace, yet in typically mood-breaking style I feel compelled to pick up a spear, set it on fire and throw it at a Bronto's gigantic flank.
It trumpets and thunders off into the distance. I rule. It was me who first decided to use an FPS viewpoint," Ancel later explains, clearly slightly concerned that I'm standing slightly too close to his stripy shirt for comfort.
I wanted the game to be immersed in the world. I love the fact that the dinosaurs are looking straight into your eyes directly and not at anyone else. Probably the most impressive thing in the game's production thus far is the way that T-Rexes dip their heads down at you and roar so loudly that the air around their vast maws reverberates and knocks you flat back into your seat. Another early level of the game sees Jack you , Carl Jack Black and someone who's presumably due a horrible death later in the game some bloke pursued by a T-Rex into a valley, with only an ancient door as an exit.
It's up to you to keep the terrible lizard's attention away from your buddies while they frantically try to open the door -using handy spears plucked from nearby bamboo-ish plants, gunfire with limited ammo and your own body as bait. It's hairy stuff, and should you run out of spears you have to tiptoe towards the creature to pluck the spears back out.
There's a real survival ethic at work here - even though what's on display to journalists, especially in what was shown at E3, is slightly kiltered to the all-action desires of select members of its whooping and hollering audience. For obvious gameplay-led reasons, a not-actually-in-the-movie' bi-plane drops off weapons with remarkably little ammo , but a lot of the action will see you fending off massive creatures using the aforementioned spears of both bone and bamboo-ish varieties , fire, bait and your own wits.
What's more, the pursuit of dragging you further into the gameworld has led Ancel to nix staple FPS furniture like aiming reticules and health bars. Instead of a constantly falling life-o-meter, you have to pay attention to the puffs, pants and screams of your character - as well as the charming red tinge that grows and grows until your likely demise. This gives the game a valuable sense of being both predator going back out to flaming spear some dino-arse and some choice tail-between-your-legs moments of being the prey.
Much as I love what I've seen of Kong, there's a pessimist in me that occasionally delivers sharp kicks to my ribs in cases such as this - and the big monkey has provided me with two. The first is a question of linearity - because, despite Peter Jackson's mantra of if it's not in the movie it could be in the game", the game is tied to the movie and as such levels can't afford for much dilly-dallying when there's a screaming starlet to save. Ancel counters this convincingly by explaining that he's trying to instil choice and freedom within the linear confines of his levels.
A prime example of this, perhaps, is the absolutely breathtaking, breathless and perfect cinematic pitch of a downstream raft-ride that you and your companions take. Pursued by two count 'em, two T-Rexes and a cavalcade of other subsidiary beasties, a lesser game would simply have this as one of those dreaded moving gun emplacement levels' that every shooter and its deceased mother has been churning out since Half-Life.
In the hands of Ancel, however, it's slightly different. Your aim is not to kill, but to delay - you have no hope of killing what's after you and it wouldn't fit in the game narrative either but shhh!
You can start off with machine gun fire, you can turn to Jack Black on the raft behind you to demand a spear to lob at your pursuers, you can set the spear on fire and ignite nearby patches of long grass or you can blast creatures out of the sky, which causes Rex and friend to pause for a moment and chow down on Batfink. You don't have time to do them all and if you're not hasty, then you or one of your companions become brunch - it's linear then, linear as hell, but with Ancel's narrative and gameplay-orientated brainwaves coupled with the cinematic edge of the scene, then it neatly slips past my pessimistic side's radar.
Seeking to further assuage my panic, Ancel pats down his ruffled shirt and points out that there's another edge to his sword: Whenever you die we'll modify the game and exactly what creatures attacked you," he explains.
In other games, when you die you get the same repeated sequence and you can learn how to do it. Here though, you can play through again without seeing the same creatures. And so now we come to Kong himself, cradling Ann in his arms and running through the jungle with mischief on his mind. What's more, as the game progresses it's evident that, in a fairly extreme example of the Stockholm syndrome, she slowly warms to her hairy monolithic captor. Kong's controls are remarkably simple and his fights beautifully choreographed.
My hands-on saw me take on two T-Rexes and what was on-screen was quite delightful: throwing batfinks into their mouths, watching them instinctively catch it and smacking them in the chops, climbing up massive ruins and delivenng WWE-style power-'bombs. He's fun to control and better to watch, as he leaps with apparent Prince Of Persia-stylings from wall to wall, tree to tree and from pulverised monster to pulverised monster.
I've just had a kick in the ribs though, and so have to provide a caveat. From what I've played, I have to report that the Kong sections are nowhere near as well suited to PC as they are to console - not by a long way.
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